The Haints Of Dean Hall – The Haints Of Dean Hall (CD) Format:CD " "Don't Stop

" "Don't Stop

Allan Barneson tenor saxophone and flute

Cassiopeia

They sound alluring

This irreverent approach to the music reflects some of the key influences: specifically Public Enemy on the City album itself - Jon professed his love of the hyper-collaged sampledelic barrage of the Bomb Squad’s productions - and also the radical tape splicing that Teo Macero brought to his work with Miles Davis

The Haints Of Dean Hall – The Haints Of Dean Hall (CD) Format:CD " "Don't StopWhat is a Haint? I hear you ask well you will find out when Stephen and Kathryn quietly sneak out a selection of late night low light spooky acoustic songs; kind of a touch country and occupying the same loose musical corner as Neko Case or Gillian Welsh. Its a fragile, rural sound; where Julie Cruise meets the Carter Family. Stephen was formerly guitar man in the Subliminals and Fang. Real Groove writes in its Top Deadline Distractions that the